The Woods on Velvia

Back in those ‘good old days’ when I shot (and processed) a lot of medium format Velvia. Before getting entirely sick of it and selling my Jobo processing kit and forgetting which box my Bronica got stored in. Amazing what jumps out at you when you haven’t opened Lightroom in a year or two. I …

More

Gap of Dunloe

Taken an age ago on one of the increasingly less frequent (I know, I know) romps around parts of Kerry that aren’t 1; Molls Gap, 2; Kenmare or 3; Killarney. Back when I was only too delighted to leave the car, throw the tripod & bronica loaded with velvia over my shoulder and go off …

More

Sheeps Head

It’s probably as much about the pilgrimage to the end of the world as it is about the photography, but Sheeps Head is one hell of a location. It’s almost always as windy as hell (or as windy as I imagine hell might be on a windy day) down there, soggy or even sinky under …

More

Remembering finer days

Until I actually produce some new images in 2012 (I haven’t picked up the camera at all this year yet), I’m not going to stray too far from safe ground. The safe ground is currently Velvia. Going back over the old images I should have blogged months and sometimes years ago, I found these images …

More

Avondale

A trip to Avondale park last year with Vlastik where I took the opportunity to use a few of the rolls of velvia in the fridge. I thought I’d get rid of the remaining slide film as my intention was to develop it then sell the Jobo CPE I bought a couple of years ago …

More

Reasons to be West

Another from the couple of rolls of Velvia scanned recently. West Cork again, just as the sun was going down. After fecking about with Vuescan and a couple more for what seemed like an eternity, I think I’ve finally got close enough to the negative to stop worrying about it. This is pretty much straight …

More

Watering Hole

It must be the very first time I got all the way through scanning three entire 120 rolls of Velvia without swearing loudly and thrashing my arms like a mad man. Anyone that’s ever been in that position will know that what you get on screen is a hell of a lot different than what …

More

Garden Rambling

Back to the grounds of IMMA before I retire these two rolls worth of scans into the cavernous expanses of my photo archive. First, some Pan F 50 lovingly modified by lightroom. Secondly some SFX, split toned in the only method I know; Ham-fisted. That’s about it for IMMA this time around I think. Of …

More

Cloistered

Another from IMMA, this time shot on Ilford PanF+ (5o ISO) to somewhat illustrate the difference between this and the previous shot in SFX 200. Both rolls processed using Rodinal for the recommended time. I love using PanF+ but at 50 ISO, a tripod is quite often if not always necessary. Again I’m very impressed …

More

The Royal Hospital

After yesterdays ‘oh shit I can’t post what I wanted to post so I’ll post something else taken with the same camera’ entry, here’s what I wanted to post. Having got my hands on some fresh developer, this is the result of the test SFX 200 roll I’ve had sitting in the fridge for over …

More

Meander

A bit further up (if I remember correctly) from where I took this, but the same roll of film none the less. Spurred on today having just had the Bronica out for the first time in a hell of a long time. Shot two rolls of B&W in the Irish Museum of Modern Art, came …

More

Place to be

The weather is beginning to turn again and although some Donegal weather forecasting prophet has predicted more snow in the next couple of weeks, I think I’ll take a chance on a green Patricks day instead of a white one. So yeah, weather turning. Thoughts of getting back out and taking some landscapes. Loaded up …

More

The Gap

I’ve always found velvia to be an absolute bitch to scan. Trying to maintain the colours you see when you hold the film up to the light is impossible. Probably why I post very little of it and why I still have nearly a dozen rolls of it to scan. Well, either the above or …

More

Top Floor

Finally developed and scanned a couple of rolls of PanF 50 from Charleville last year. Wouldn’t ya know it, grabbed the Bronica, stuck it on the tripod and headed straight for the stairs. Predictable or what?

Moher

Developing and viewing the results of a few long overdue rolls has reawakened my need to get out and shoot some more black and white. So in honour of that, here’s a black and white from the film archive. Scanning of the newly developed stuff starts tomorrow (hopefully).